{"id":704,"date":"2024-04-30T00:23:44","date_gmt":"2024-04-30T00:23:44","guid":{"rendered":"https:\/\/arc-data.net\/info\/?p=704"},"modified":"2024-04-30T00:23:45","modified_gmt":"2024-04-30T00:23:45","slug":"haiku-a-gaia","status":"publish","type":"post","link":"https:\/\/arc-data.net\/info\/es\/haiku-a-gaia\/","title":{"rendered":"Haiku-a-Gaia"},"content":{"rendered":"
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Hailku-a-Gaia

La po\u00e9tica del Haiku generalmente se basa en el asombro y el arrobo que produce en el poeta la contemplaci\u00f3n de la naturaleza; que no es excusa de los sentimientos humanos, sino objeto po\u00e9tico en s\u00ed mismo.<\/p>\n\n\n\n

Los Haikus son poemas cortos muy v\u00edvidos, como fractales que se desenvuelven tocando al macro y microcosmos. Son originarios de Jap\u00f3n, anteriores al budismo y a la filosof\u00eda Zen con una estructura sem\u00e1ntica que se ha desenvuelto y mutado al pasar a otros idiomas: 5-7-5.
El Haiku contempor\u00e1neo es m\u00e1s libre dentro de la brevedad, consolidado como una forma po\u00e9tica aut\u00f3noma con sus propias convenciones y reglas.

Gaia es la madre tierra. Tonanztin, Pachamama, Kundalini, Diana, Isis, Rea, Cibeles, Adonia, son divinidades femeninas constructoras de la realidad, deidades presenciales de m\u00edstica en la naturaleza, distintos nombres que reciben la esencia que nutre a la existencia. La naturaleza como una deidad inmediata y cotidiana, con la que se act\u00faa directamente por presencia y con la cual se dialoga permanentemente. Gaia la deidad Griega, es una mitolog\u00eda que fue re-simbolizada por James Lovelock como una hip\u00f3tesis cient\u00edfica contempor\u00e1nea, que reconoce a la Tierra como un organismo autorregulado.

Haiku-a-Gaia: es la maqueta de una tierra esf\u00e9rica en proceso de degradaci\u00f3n.

A un globo terr\u00e1queo recuperado de la obsolescencia, le ser\u00e1n inducidos campos electromagn\u00e9ticos por descargas electrost\u00e1ticas, mediante un calefactor el\u00e9ctrico transformado en una antena de plato parab\u00f3lico. Un circuito electr\u00f3nico amplificar\u00e1 frecuencias y elevar\u00e1 su potencia en alto voltaje fluctuando arcos voltaicos como un parlante de plasma.

La primera transmisi\u00f3n de radio la realiz\u00f3 Heinrich Hertz en 1888 utilizando descargas electrost\u00e1ticas como pulsos de alto voltaje, generadores de campos electromagn\u00e9ticos que se propagan en el espacio. Micro rel\u00e1mpagos de laboratorio que en si,replicaban fen\u00f3menos de la naturaleza. Los \"spark-gap-transmitters\" fueron por muchos a\u00f1os la forma de transmitir se\u00f1ales radioel\u00e9ctricas inal\u00e1mbricas, hasta la invenci\u00f3n de los bulbos al alto vacio.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Mediante una aplicaci\u00f3n de texto a voz, se recitaran los Haikus-a-Gaia que mande la gente utilizando twitter. Estas se\u00f1ales electromagn\u00e9ticas ser\u00e1n transmitidas al globo terr\u00e1queo que estara en rotaci\u00f3n. una arco voltaico oscilante emitira fotones . Una fina pel\u00edcula de agua estara presente entre el sistema parabolico y la tierra esferica, ser\u00e1 un filtro lum\u00ednico las micro gotas prism\u00e1ticas como lentes difractaran y amplificaran los fotones como campos electromagn\u00e9ticos lum\u00ednicos, un flujo que se distribuir\u00e1 como quantos comunicativos,<\/p>\n\n\n\n


Gaia se encuentra en una encrucijada: la naturaleza que ha sido sometida por poderes f\u00e1cticos y tecnolog\u00edas obsoletas. Contamos con la capacidad tecnol\u00f3gica de parar la degradaci\u00f3n que est\u00e1n sufriendo los ecosistemas por las tecnolog\u00edas decadentes, o el abuso energ\u00e9tico y la extracci\u00f3n. La constante quema de combustibles f\u00f3siles est\u00e1 provocando cambios clim\u00e1ticos irreversibles.

Haiku-a-Gaia es un desprendimiento po\u00e9tico de intenciones sustentables a un Eco-tropismo desde un reconocimiento animista m\u00edstico. Un Holo-movimiento sin prejuicios que apuesta a la tecnolog\u00eda abierta y libre, que tiene la capacidad de revertir problem\u00e1ticas y despertar la mente inquisitiva sobre los misterios de la naturaleza. Un reconocimiento a la integraci\u00f3n de los mapeos territoriales de la ciencia y la m\u00edstica consagradas en la experimentaci\u00f3n con la intuici\u00f3n, que mantienen una intencionalidad positiva a cambios relevantes en la conciencia.

La representaci\u00f3n planetaria como un modelo hologr\u00e1fico, met\u00e1foras sustanciales sobre los fractales, en donde cada part\u00edcula representa la totalidad del sistema en el que lo que afecta a uno nos afecta a todos.<\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
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\u00bfEs un imperio
esa luz que se apaga
o una luci\u00e9rnaga?<\/p>\n\n\n\n

<\/p>\n\n\n\n

Bajo el alero
el espejo no copia
m\u00e1s que la luna.<\/p>\n\n\n\n

Jorge Luis Borges<\/strong><\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
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La mariposa revolotea
como si desesperara
en este mundo
Kabayashi Issa<\/strong> (1763-1828) 

Mi cuenco de mendigar
 Acepta hojas ca\u00eddas
Taneda Santoka<\/em><\/strong><\/td>		Las noches son breves
\u00bfCu\u00e1ntos d\u00edas m\u00e1s
a\u00fan por vivir?
Shiki <\/strong>(1867-1902)

Bajo la lluvia de verano
El sendero
Desapareci\u00f3
Yosa Buson <\/strong>(1715-1783)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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\"\"<\/figure>\n\n\n\n
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Un mundo
que sufre
bajo un manto de flores
Watanabe Hakusen<\/strong> (1913-1969)
Este camino
ya nadie lo recorre
salvo el crep\u00fasculo. 
Matsuo Basho<\/strong>
<\/td>		Pas\u00f3 el ayer,
pas\u00f3 tambi\u00e9n el hoy,
se va la primavera 

breve siesta
y al despertar
se fue la primavera 
Yosa Buson<\/strong> (1716-1784)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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La..KAz\/PA . .KOZ.Mi:ka<\/p>\n\n\n\n

Ez.. Noc.Tur-Na<\/p>\n\n\n\n

Dez.Ti-No Bri\/Llan\/Te . Le(ja)No<\/p>\n\n\n\n

bakteria.org<\/strong><\/p>\n\n\n\n

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Hailku-a-Gaia The poetics of Haiku generally rely on the astonishment and rapture that the contemplation of nature produces in the poet; it is not an excuse for human feelings but a poetic object in itself. Haikus are short, vivid poems originating from Japan, predating Buddhism and Zen philosophy. They have a semantic structure of 5-7-5 […]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[16,15,14,8,18,13],"class_list":["post-704","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-electromagnetisim","tag-gaia","tag-haiku","tag-meditation-gravity","tag-plasmaspeaker","tag-water"],"yoast_head":"\nHaiku-a-Gaia - arcangelo constantini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arc-data.net\/info\/es\/haiku-a-gaia\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haiku-a-Gaia - arcangelo constantini\" \/>\n<meta property=\"og:description\" content=\"Hailku-a-Gaia The poetics of Haiku generally rely on the astonishment and rapture that the contemplation of nature produces in the poet; it is not an excuse for human feelings but a poetic object in itself. Haikus are short, vivid poems originating from Japan, predating Buddhism and Zen philosophy. 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